Publications

• Articles
• Books and book chapters
• Conferences – peer review proceedings and reports
• Tutorial texts
• Miscellanous

Articles

• Rudi, J. (2024) Review of Leigh Landy, Experiencing Organised Sounds: The Listening Experience across Diverse Sound-Based Works. Organised Sound, 29/2 2024:239-241.
• Rudi, J. (2023) Review of Jennifer Iverson, Electronic Inspirations – Technologies of the Cold War Musical Avant-Garde. Organised Sound, 28/3 2024.
• Rudi, J. (2023) Balancing conflicting types of authenticity in the reconstruction of sound and music in the installation work Blikk (1970). Curator, 66/1 2023.
• Rudi, J. (2021) Review of Cathy Lane and Angus Carlyle (eds.), Sound Arts Now.. Organised Sound 26(3): 428–429.
• Rudi, J. (2021) Designing Soundscapes for Presence in Virtual Reality Exhibitions: A Study of Visitor Experiences, Visitor Studies, DOI: 10.1080/10645578.2021.1907151.
• Rudi, J. (2020) Review of 3 recent books on Sound Art. Sanne Krogh Groth and Holger Schulze (eds.): The Bloomsbury Handbook on Sound Art, Alan Licht: Sound Art Revisited and Peter Weibel: Sound Art – Sound as a Medium of Art., Organised Sound 25 (3): 372-378.
• Rudi, J. (2018) Organising Sound with Audio Clothes: An interview with Benoit Maubrey, Organised Sound 23 (3): 292-295.
• Rudi, J. and Neal Spowage (2018) Editorial: Sound and kinetics – performance, artistic aims and techniques in electroacoustic music and sound art, Organised Sound 23 (3): 219-224.
• Rudi, J. (2018) Unpacking the Musical and Technical Innovation of Knut Wiggen, Organised Sound, 23 (2):195–207.
• Rudi, J. (2017) Review of Thomas Gardner, Salomé Voegelin (Eds.): Colloquium: Sound Art – Music. Organised Sound, 22 (2): 108-110.
• Rudi, J. (2015) Eivind Groven’s automat for adaptive just intonation: A pioneering example of musically situated technology, Studia Musicologica Norvegica, 15 (1): 40-63.
• Rudi, J. (2015) Past and Current Tendencies in Technology-based Music, Organised Sound, 20 (1): 30-36.
• Rudi, J. (2014) Construction Drive 2000-2006, Seismograf, originally Lydskrift.
• Rudi, J. (2009) Felix Hess’ sonifiering av tystnaden, Nutida musik, (3):23-29.
• Rudi, J. (2009) Review of 5 recent books from Kehrer Verlag, Organised Sound, 14 (3):323-326.
• Rudi, J. (2009) Editorial, Organised Sound 14 (1): 1-2.
• Rudi, J. (2007) Computer Music Composition for Children [DSP Education], Signal Processing Magazine, IEEE, 24 (2): 140-143.
• Rudi, J. (2007) Om utdanning i komposisjon og lydkunst i Norge, Parergon, nr. 3/4.
• Rudi, J. (2007) Støy i musikk og kunst, 3T, nr. 25.
• Rudi, J. (2005) Editorial, Organised Sound, 10 (2):
• Rudi, J. (2005) ‘From a musical point of view the world is musical at any given moment’: An interview with Bill Fontana, Organised Sound, 10 (2): 97-101.
• Rudi, J. (2005) Computer Music Video: A Composer’s Perspective, Computer Music Journal, 29 (4):36-44.
• Rudi, J. (2003) Norge et lydrike – Norway remixed: a sound installation, Organised Sound, 8 (2):151-155.
• Bernardini, N. og Rudi, J. (2002) Compositional use of Digital Audio Effects, Journal of New Music Research, 31 (2):87-91.
• Rudi, J. (2001) Computer Music Animations, Organised Sound, 3 (3):193-198.
• Rudi, J. (2001) Samtidskunsten og det offentlige i den nye medievirkeligheten, Localmotives nr. 4.
• Rudi, J. (2000) Lydens alkymister, Localmotives nr. 2.
• Rocchesso, D. og Rudi, J. (2001) Digital Audio Effects 1998, Barcelona, Spain. Computer Music Journal, 23 (2):86-87.
• Rudi, J. (1999) Manifest, Parergon, nr. 10.
• Rudi, J. (1998) Sound Experience, ARRAY, 18 (2).
• Rudi, J. (1998) Den begrensede musikken, Parergon, nr. 5/6.
• Rudi, J. (1998) Diffusjon – utflytende musikalske tapeter?, Parergon, nr. 3.
• Rudi, J. (1998) DSP – for Children, Journal of electroacoustic music, Mai 1998
• Rudi, J. (1996) Bestemmer ørene?, Dansk Musik Tidsskrift, 70 (4):128-132
• Rudi, J. (1995) Electroacoustics in Norway – site under construction, eContact! 9 (2).

Books and book chapters

• Rudi, J, Godø, R. and Chang, J. (2024) Reconstructing multimedia installations from uncertain sources: the case study of Blikk (1970/2022), s.263-264). In Bridging the Gap, edited by Sauge, Birgitte, Thierry Ford, Tine Frøysaker og Klaas Jan van den Berg. London: Archetype publications.
• Cerpina, Z., Stenslie, S. and Rudi, J. (Eds.) (2021) Elektronisk kunst i Norge. Trondheim: Teks press
• Pierroux, P. and Rudi, J. (2020) Teaching Composition with Digital Tools: A Domain-Specific Perspective. In K. Knutson, T. Okada and Crowley, K. (Eds.) Multidisciplinary Approaches to Art Learning and Creativity: Fostering Artistic Exploration in Formal and Informal Settings. Routledge.
• Rudi, J. (2020) The Musical Imagination of Knut Wiggen. In Hagan, Kerry and Puckette, Miller (Eds.) Between the Tracks. MIT Press
• Rudi, J. (2020) Questions and challenges in ubiquitous creativity. In V. Lazzarini, D. Keller, L. Turchet and N. Otero (eds.) Ubiquitous Music Ecologies. Taylor and Francis.
• Rudi, J. (2020) Preserving digitally inscribed music. In Bue, M. (Ed.) Notated Music in the Digital Sphere. Oslo: National Library of Norway
• Rudi, J. (2019) Elektrisk lyd i Norge fra 1930 til 2005. Oslo: Novus.
• Rudi, J. (2019) Representation, complexity and control – three aspects of technology-based sonic art. In Toft, T. (ed.) Digital Dynamics in Nordic Contemporary Art. Chicago: Intellect/University of Chicago Press.
• Rudi, J. (2013) Eivind Groven and technological innovation. In Kydland, A. J., Dalaker, I. L. & & Lopatowska-Romsvik, D (Ed.) “East of Noise” Eivind Groven – composer, ethnomusicologist, researcher, pp. 122-135. Oslo: Akademika.
• Rudi, J (2011) Introduction, in Rudi, J. (Ed.) Soundscape in the Arts, pp. 171-172. Oslo: NOTAM.
• Rudi, J (2011) Soundscape in the Arts, in Rudi, J. (Ed.) Soundscape in the Arts, pp. 175-183. Oslo: NOTAM.
• Rudi, J (2011) Soundscape and Listening, in Rudi, J. (Ed.) Soundscape in the Arts, pp. 185-194. Oslo: NOTAM.
• Rudi, J (2011) Out into the Sound of what we don’t know – an interview with Jana Winderen, in Rudi, J. (Ed.) Soundscape in the Arts, pp. 252-261. Oslo: NOTAM.
• Rudi, J (2011) Resounding Experience – an interview with Bill Fontana, in Rudi, J. (Ed.) Soundscape in the Arts, pp. 271-279. Oslo: NOTAM.
• Rudi, J. og P. Pierroux (2009) Framing learning perspectives in computer music education, in Dean, R. (Ed.) The Oxford Handbook of Computer Music and Digital Sound Culture, pp. 536-555. Oxford: Oxford University Press.
• Rudi, J. (2008) Introduction, in Rudi, J. (Ed.) Karlheinz Stockhausen – en pionér i Utopia, pp. 15-16. Oslo: NOTAM.
• Rudi, J. (2008) Introduction, in Rudi, J. (Ed.) Absorption and Resonance – Sound and Meaning, pp. 4-5. Oslo: NOTAM.
• Rudi, J. (2008) Sound and Meaning, in Rudi, J. (Ed.) Absorption and Resonance – Sound and Meaning, pp. 108-127. Oslo:NOTAM.
• Rudi, J. (2004) Forsøksordningen 1998-2000, sett fra musikkens ståsted, in Paasche, M. (Ed.) Norsk kulturråd og den elektroniske kunsten, Evaluering av forsøksperioden, Notat nr. 58. Oslo: Norsk Kulturråd.
• Rudi, J. (2003) Foreword, in Wiggen, K. The Psychological Foundation of Music. Fredrikstad: Paradigma.
• Rudi, J. (2003) DSP – Sound Synthesis and Educational Aims, in Enders, B. og J. Stange-Elbe (Red.) Global Village, Global Brain, Global Music, pp. 471-477. Osnabrück: Epos Music.
• Rudi, J. (2003) Foreword, in Stang Dahl, J. and Jøran Rudi (Ed.) Electronic Art in Public Space, pp. 5-6. Oslo: NOTAM.

Conferences – peer review proceedings and reports

• Rudi, J., Jina Chang, Randi Godø (2023) Reconstructing multimedia from material intentions and uncertain sources. Poster at the conference Bridging the Gap, November 24, 2023.
• Rudi, J. (2023) Reconstructing sound and music in a multimedia installation – authenticity and conflicting sources, NYCEMF, June 19-25, 2023.
• Holbrook, U. and Rudi, J (2022) The expanding fields, practices and histories of technology-based music, Rethinking the History of Technology-based Music, University of Huddersfield, June 9-11, 2022.
• Rudi, J. (2022) Elektrisk lyd i Norge fra 1930-2005. Norsk lydarkivkonferanse 2022. Oslo. April 25.-26., 2022.
• Holbrook, U. and Rudi, J. (2022) Computer music and post-acousmatic practices, International Computer Music Conference 2022, Limerick, Irland, July 3.-9., 2022.
• Rudi, J. Soundscapes for experiencing architecture in virtual reality – elements and considerations. EMS-network conference, Leicester, November 10. – 13., 2021.
• Rudi, J. Digital Affordances. Media Art History Conference “Re:sound.” Ålborg, August 20-23, 2019.
• Rudi, J. Designing and evaluating soundscapes in virtual reality exhibitions. Visitor Studies Association Conference «Ways of Knowing.» Detroit, July 10-13, 2019.
• Rudi, J. Preserving Digitally Inscribed Music. Nasjonalbiblioteket. Oslo, 25. October, 2018.
• Rudi, J. Knut Wiggen – Nordens pioner i computermusikken. Fredrikstad, August 25, 2018.
• Rudi, J. The Contributions of Computer Music Pioneer Knut Wiggen, International Computer Music Conference. Daegu, August 5. – 10., 2018.
• Rudi, J. Hasta la Vista – Human Agency, is it really so special?, Arctic Arts Festival, June 26, 2018.
• Rudi, J. Knut Wiggen’s search for new methods and aesthetics – is it relevant today?, EMS-network conference, Florence, June 20. – 23., 2018. Paper accepted.
• Rudi, J. Knut Wiggen’s musical innovation, Kyma International Sound Symposium 2017, Oslo, October 12.- 15., 2017.
• Rudi, J. Knut Wiggen’s composition method, Musikkteknologidagene 2017, Oslo, 10. Oktober, 2017.
• Rudi, J. og Thelle N. J. Digitally based music: Archiving, migration and performance, Norwegian Musical Heritage, National Library of Norway, Oslo, December 8. – 9., 2016.
• Rudi, J. Applying Creative Principles in Software Design for Music Education: A Case Study, Art learning and Creativity – Contemporary Issues in Formal and Informal Settings, Tokyo University, Tokyo. November 19. – 20. 2016
• Rudi, J. Technology-based music in Norway – 1955 to 2015, The Avant-gardes in the Nordic countries 1975-2000, University of Copenhagen, Copenhagen, December 3-5, 2015.
• Rudi, J. The just intonation automat, a musically adaptive interface, ICMC 2015, Denton, Texas, September 2015.
• Rudi, J. Soundscape as a social construct, EMS-network conference, Lisbon, June 20, 2013.
• Rudi, J. Research on education in electroacoustic composition with children – future challenges, Electronic Sounds in the Classrom, ZKM, Karlsruhe, April 27, 2013.
• Rudi, J.  Two educational softwares for composing electronic music: Objectives, design and practice, La Creazione Musicale dei bambini e degli adolecenti nell’era digitale – riflessioni, recherche, esperienze, Rome, Radio Vaticana, October 26. – 27., 2012.
• Brandtsegg, Saue, Inderberg, Tidemann, Tro, Lazzarini, Kvidal, Thelle og Rudi. The developement of a online course on DSP eartraining, in DAFX 2012 proceedings, York, September 17. – 21., 2012.
• Rudi, J. Musikkutdanning, samfunn og teknologi, Ultima conference, Oslo, September 6, 2012.
• Rudi, J. Soundscape as a social construct, WFAE conference, Corfu, October 3. – 8., 2011.
• Rudi, J. & Bullock, J. The Integra Project, EMS-network conference, New York, June 14-18, 2011.
• Rudi, J. Are studios still relevant for musical innovation? ArtMusFair, Warsaw Autumn Festival, September 23, 2010.
• Rudi, J. Men det var aldri bedre før. Musikkteknologidagene, Oslo, September 16. – 17., 2010.
• Rudi, J. Sound Art, World Music Days, Växjö, September 24 – October 4, 2009.
• Rudi, J.  Welcoming Change, EMS-network conference, Buenos Aires, June 22-25, 2009.
• Rudi, J. Musikkteknologien i kunstens tjeneste, Music Technology Days, Bergen, September 10. – 11., 2008.
• Rudi, J. Musikkteknologi som verktøy på tvers – nye arenaer for organisert lyd, Music Technology Days, Oslo, October 10-11, 2007.
• Rudi, J. Listening in museums, NODEM 2006, Oslo, December 7-9, 2006.
• Rudi, J.Presentasjon av NOTAM, Music Technology Days, Oslo, 2005.
• Rudi, J. Compositional use of Digital Audio Effects, In DAFX 2001 Proceedings, Limerick, December 6. – 8., 2001.
• Rudi, J. DSP – Sound Synthesis and Educational Aims, KlangArt-Kongress, Osnabrück, June 10. – 13., 1999.
• Rudi, J. DSP for Children, ICMC Proceedings, Thessaloniki, September 25-30, 1997.
• Rudi, J. Hearing Vision, Sound in Multimedia Conference Proceedings, Clark University, March 25, 1996.
• Rudi, J. NoTAM Studio Report, ICMC Proceedings, Banff, September 3-7, 1995.

Tutorial texts

• Soundscape, lyd, hørsel og lytting, tutorial text for use in schools, 2009.
• Kort innføring i lydens fysikk og akustikk, psykoakustikk, digital innspilling og lydbehandling, tekst til bruk ved UiO, 2000.
• Fra mekanikk til musikk, tutorial text for use in schools, 1999.
• Misc. texts for the CD-ROM “DSP”, published 1997.

Miscellanous

• Rudi, J. (2022) Research report for Blikket. Written for the large restoration project at the National Museum.
• Presentation of the book Elektrisk lyd i Norge in the NRK program ‘Spillerom’, september 8, 2019.
• A podcast about Knut Wiggen uploaded on November 12, 2018: Knut Wiggen: Den elektroniske musikkens glemte pionér.
• Revamped website for Knut Wiggen, www.knut-wiggen.com. Sept. 2018
• Knut Wiggen – Electronic works 1972-75, sleeve notes for LP, released at O. Gudmundsens Minne.
• Breaking with the everyday listening mode, in Ballade, March 8, 2017.
• Obituary for Jean-Claude Risset, Ballade, December 2016.
• Obituary for Knut Wiggen, Ballade, September 2016.
• Biiip, oooiiip, p, krrrschk, k, k, k, k, k, In intervju with Tellef Øgrim, Ballade September 6, 2016.
• Essay about the electronic music by John Persen, for CD-release on Aurora 2015.
• Making digital music tools for children. In Glissando #27, Warsaw 2015. s. 98-105.
• Obituary for John Persen, at NOTAM and in Ballade, December 2014.
• Når klang tas fra hverandre, In interview with Asbjørn Flø, Lydskrift September 26, 2014.
• Obituary for Kåre Kolberg, at NOTAM and in Ballade, August 2014.
• Tretti år i elektronisk kunst, In intervju med Asbjørn Flø, Ballade. April 25, 2014.
• Kåre Kolberg – from analog craft to digital technology. Essay about the electronic music by Kåre Kolberg, for CD-release by Bolt Records. Warsaw 2014.
• Essay about the electronic music by Arne Nordheim, for CD-release by Bolt Records. Warsaw 2013.
• Om kunst med lyd, in Tilbake til fremtiden, Norsk forening mot støy, Oslo, 2013.
• The history of electronic music in three articles, In Musikkultur, Oslo. Nr. 3/2013, Nr. 4/2013, Nr. 5/2013.
• Men lek er ikke nok, in Tillit og selvtillit, Norsk Teater- og orkesterforening (NTO), Oslo, 2012.
• Dilettanter og billige maksimer, Ballade, December 16, 2011.
• Om NOTAMs bevilgning, åpent brev til norske kulturmyndigheter
• Currents – en lydinstallasjon av Åsa Stjerna, grunnlag for artikkel i ARTnord, October 2011.
• Max Mathews er død, Ballade, April 26, 2011.
• Skal det satses på fortid eller fremtid?, Ballade, January 28, 2011.
• Dagens objekt: Lyd!, Ballade, December 1, 2010.
• 50 000 ville ha Kjøtt, Ballade, November 11, 2010.
• Gratis Kjøtt, Ballade, October 8, 2010.
• Energy Field, speech for the opening of the exhibition in the Norwegian Opera and Ballet, September 8, 2010.
• Obituary for Arne Nordheim, Ballade, June 2010.
• Dypdykk i lydlandskapet, text in Ballade for the symposium “Soundscape in the arts”, 2010.
• Technology-Based Sonic Arts in Norway, status report from Norway, written for eContact February 12, 2010.
• Lydkunsten forteller, text for the exhibition catalogue for Se og Hør, Sandnes Kunstforening, Nr. 2, 2010.
• Teknologi til bry, interview in Norwegian Arts Council Newsletter #3, June 2009.
• NOTAM på lederjakt, Interview in Ballade May 15, 2009.
• Å lydlegge ideer, interview in Ballade, November 18, 2008.
• Karlheinz Stockhausen, Ultima program book 2008.
• Integra – a project for composers, performers and the use of realtime technology. Ballade, 2008.
• Mager og tydelig lydkunstutstilling, Review of Vodou in Galleri 0047 for Kunstkritikk, December 2007.
• Kunst, teknologi, demokrati, Ballade, 2008.
• Gratulasjon til Natasha Barrett for Nordisk Råds Musikkpris 2006, Ballade June 8, 2006.
• NOTAM 10 år – en pionér nærmer seg puberteten, Ultima program book 2003.
• “Vi stjeler ikke!”, Response to Karin Rynander’s accusation of NOTAM. Ballade, October 11, 2002.
• Norge – et lydrike, Norway remixed, speech at the opening of the installasjon, Oslo Central Station, October 2, 2002.
• Om utgivelsen av Routine Mapping, Ballade, January 15, 2002.
• Om NOTAMs nyåpning, Ballade November 13, 2001.
• Støy i musikk, musikk i støy, Ballade October 8, 2001.
• Orden, støy og musikk, essay for the CD Electric with Arne Nordheim’s electronic works, RCD 2002, December 1997.
• Er ikke kunst og teknologi en offentlig sak?, NRK valgvev, September 1997.
• Musikk er mer enn en serie toner, Apollon 6/96.
• NoTAM-prosjekt for barn og unge, founding document for NoTAM’s CD-ROM project DSP, revitalising of Bryt Lydmuren and the engagement of Acousmonium from Groupe de Recherches Musicales during Ultima 1996. Written February 1995.
• Kraftlinjer, Ultima program book 1995.